A hand coloured portrait of 1030 Lieutenant (Lt) Cecil Arthur Auchterlonie, 25th Battalion, one ...

Accession Number P12698.004
Collection type Photograph
Object type Colour - Print hand coloured black & white
Maker Unknown
Date made 1915-1918
Conflict First World War, 1914-1918
Copyright

Item copyright: Copyright expired - public domain

Public Domain Mark This item is in the Public Domain

Description

A hand coloured portrait of 1030 Lieutenant (Lt) Cecil Arthur Auchterlonie, 25th Battalion, one of the three Auchterlonie brothers from Inglewood Hill, near Gympie, Queensland. The youngest, 1030 Lt Cecil Arthur Auchterlonie served at Gallipoli and was later awarded the Military Cross for actions near Villers Bretonneux in July 1918. He was awarded a Bar to his MC a month later. Lt Cecil Auchterlonie MC and Bar was killed in action on 10 August 1918, aged 22, and is buried at Heath Cemetery, Picardie, France. His eldest brother, Lt Archibald Vivian (Viv) Auchterlonie initially served as a sergeant with the Australian Naval and Military Expeditionary Force (AN&MEF) on Thursday Island in August 1914 before successfully applying for a commission in the AIF in early 1915. He was killed on 20 October, 1915 at Gallipoli, aged 23. Another brother, 1702 Sergeant Bertrand Innes (Bert) Auchterlonie, 15th Battalion was killed on 8 August 1915 at Gallipoli, aged 21.

The hand-colouring of these portraits contributes to the uncertainty surrounding the identities of the men. The service record of all three Auchterlonie brothers records their brown eyes, a feature misrepresented by the stark blue eyes created by the studio’s hand colouring. Further contradictory visual evidence includes the incorrect colour patches added to their uniforms and the heavy brush-strokes concealing the correct physiognomy of the men. This is exacerbated by the physical disparity of those depicted in these portraits with other portraits of the Auchterlonie brothers held at the Memorial (see P10550.039) and in private collections. Nevertheless, the portraits were donated to the Memorial by a sister of the men, almost certainly confirming their validity as true, if somewhat distorted representations of them.